Why I Painted a Copycat version of The Scream
Normally, I would term my digital recreation of Edvard Munch’s masterpiece The Scream a copycat, but today to recreate the art or photographs of others in a surprising or an unexpected way is termed “transformative art.” Transformative art has a fair use copyright standing in many cases.
My transformative art of Edvard Munch’s The Scream came about after watching an Adobe Live downstream featuring a Photoshop Contest with free digital brushes, designed by Kyle T. Webster. Kyle designed the brushes after seven Munch brushes curated at the Munch Museum/Oslo.
I downloaded the Munch digital brushes from Adobe for Photoshop, and had dreams of creating a piece of digital art in the Munch style for the Adobe contest. I made my sketch, and started to paint with my Wacom pen.
However, my computer is a dinosaur, with a slow processor. Every stroke I took with the Munch brushes was like watching a swath of color slowly populating across my screen. As grand as it was to play with the Adobe Munch brushes, it was far too tedious for me, so I abandoned my sketch.
The Scream by Munch has proved itself a timeless classic due to its original expression of a universal theme, panic. Munch painted from life. He was walking with two friends on a bridge, and suddenly he heard nature screaming at him and deafening his thoughts. It was a singular experience that found its way onto his canvas.
Munch painted four different versions of The Scream. One hangs in Oslo at the Munch Museum.